The Sony PXW-FX6 is a compact cinema camera with a big image. Suitable for many applications, this camera excels on a gimbal, other stability rigs, and tight, fast-paced environments.

• 4K Full-Frame 10.2MP CMOS Exmor R Sensor
• DCI 4K60p | UHD 4K120 | 1080p240
• 15+ Stops of Dynamic Range
• Base 800-12,800 ISO
• Phase Detection AF/Face Tracking/Eye AF
• Under 2lbs
• 10-bit, 4:2:2 XAVC-I recording

With a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you’d expect from this class but sports a newly designed body that’s hand-holdable, with a streamlined and minimal profile, and has a “cage-free” design, indicating the ability to secure various accessories directly to the camera body.

Realize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette.

The FX9 revolutionizes full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9. Ver.2.0 firmware adds HLG, User 3D LUTs, and more with yet more advanced features still to come.

Sony PXW- FS7 mark II

The Sony FS7-II is the second generation of the Sony FS7 and the improvements have everyone here talking. The Electronic Variable ND is one of them. Sony’s Electronic Variable ND maintains optimum exposure without scarificing any other parameters. You can lock in your aperture and shutter while making subtle changes when adjusting for changing light conditions. The new locking E-mount allows for a more secure lock when using heavier PL mount lenses as as well B4 ENG lenses. There have also been improvements to the viewfinder and the ergonomics of the camera in handheld mode. We really liked the first generation and now this second generation has us even more excited. We have outfitted our camera packages for optimum versatility whether you are in the field or the studio, shooting a feature or a documentary.