Sony FE 50mm f/1.2 G Master

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Canon CN-E Pro Set – PL Mount

The Canon CN-E prime lenses offer a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments. Intended for the working professional, the Canon Cinema prime lenses have markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.

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Venus Optics Laowa EF Mount Probe Lens FF-24MM f14-40

Previously funded in Kickstarter and ranked 2nd in the all-time most funded lens project, this is the world’s first consumer-grade probe lens which focuses from 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye’ perspective. The wide angle design means much greater depth of field at close distances than possible with conventional telephoto macro lens, so more background details can now be seen. The front barrel of the lens is waterproof and an LED ring light is mounted at the tip of the lens. It can cover both standard 35mm full frame & Super35 image sensors and is super lightweight to carry.

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CANON 25-250MM CINE-SERVO PL LENS-(T2.95-3.95)

The CINE-SERVO 25-250 T2.95 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.7 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments.

The new lens is fully 4K-ready, with a high optical resolution and support for Super35mm large-format cameras. An 11-blade aperture diaphragm helps ensure an artistic and beautiful representation of out-of-focus areas (or “Bokeh”).

The lens also features a high 10x zoom magnification, wide focal length range of 25mm to 250mm, and a 180o smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.

The servo drive unit is compatible with industry-standard protocols for control from a number of lens controllers including Canon’s standard broadcast lens controllers (ZSD-300D/FPD-400D) and multiple industry standard cinema lens controllers. The drive unit can be easily removed for cinema-style shoots and can be easily re-attached without any manual re-alignment. A 16-bit metadata output enables connection to virtual studio systems.

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CANON 17-120MM PL SERVO LENS

The CINE-SERVO 17-120mm T2.95-3.9 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments.

The new lens is fully 4K-ready, with a high optical resolution and support for Super35mm large-format cameras. An 11-blade aperture diaphragm helps ensure an artistic and beautiful representation of out-of-focus areas (or “Bokeh”).

The lens also features a high 7x zoom magnification, wide focal length range of 17mm to 120mm, and a 180º smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.

The servo drive unit is compatible with industry-standard protocols for control from a number of lens controllers including Canon’s standard broadcast lens controllers (ZSD-300D/FPD-400D) and multiple industry standard cinema lens controllers. The drive unit can be easily removed for cinema-style shoots and can be easily re-attached without any manual re-alignment. A 16-bit metadata output enables connection to virtual studio systems.

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Canon 16-35mm EF lens

The EF 16-35mm is an indispensable ultra wide-angle zoom lens for professional and enthusiast photographers who demand superlative operation and performance, in virtually any condition. Its 16-35mm focal range provides superb control of perspective, helping you capture pictures and movies with amazing, dramatic compositions limited only by your imagination. Combining outstanding image quality, a fast, constant aperture and a rugged design, the EF 16-35mm f/2.8L III USM delivers eye-catching results whether capturing detailed, nuanced landscapes, dramatic interiors and much more. Both still and moving images can be captured with consistent edge-to-edge sharpness, improved peripheral illumination and reduced distortion at extreme wide angles – especially important when using SLR cameras with full-frame sensors. Engineered with high-resolution photography and videography in mind, the EF 16-35mm f/2.8L III USM provides the optical performance necessary for critical applications, while delivering the renowned function and feel you’ve come to expect from Canon’s celebrated L-series lenses.

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Canon 24-105 mm EF Lens

This easy-to-use standard zoom lens can cover a large zoom area ranging from 24mm wide-angle to 105mm portrait-length telephoto, and its Image Stabilizer Technology steadies camera shake up to three stops. Constructed with one Super-UD glass element and three aspherical lenses, this lens minimizes chromatic aberration and distortion. The result is excellent picture quality, even at wide apertures. Canon’s ring-type USM gives silent but quick AF, along with full-time manual focus. Moreover, with dust- and moisture-resistant construction, this is a durable yet sophisticated lens that meets the demands of advanced amateur photographers and professional photographers alike.

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Canon 70-200mm EF lens

Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 3.5 stops of correction at all focal lengths. And as with all L-series lenses, the EF 70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.

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Fujinon 20-120mm T3.5 Cabrio Premier PL Lens

The PL 20-120mm Cabrio XK (XK6x20) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The XK6x20 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 20-120mm focal range, weight of only 2.9kg including servo motors, a t-stop of T3.5 end to end, the Cabrio XK is sure to become your “go to” lens.

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Angenieux EZ-1 30 to 90mm Cinema Lens Pack (Super35 and Full-Frame)

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